White Noise - An Electric Storm download free

White Noise Abstract Space Rock Psychedelic Rock Avantgarde Experimental 2005 UK

Genre:	Electronic / Rock
Performer:	White Noise
Title:	An Electric Storm
Style:	Abstract, Space Rock, Psychedelic Rock, Avantgarde, Experimental
Date of release:	2005
Country:	UK
MP3 album size:	1153 mb
FLAC APE album size:	1634 mb
WMA album size:	1316 mb
Digital formats:	AAC MP3 RA VOX AUD APE FLAC

Tracklist Hide Credits

1	Love Without Sound Double Bass – D.V.Vocals – John WhitmanWritten-By – Vorhaus, Derbyshire*	2:57
2	My Game Of Loving Lyrics By – DuncanMusic By – VorhausVocals – Annie Bird	3:38
3	Here Come The Fleas Voice [Carribean Gentleman] – Brian HodgsonWritten-By – Vorhaus, McDonald	2:31
4	Firebird Backing Vocals – Lisa PollackVocals – John WhitmanWritten-By – Vorhaus, Derbyshire	2:43
5	Your Hidden Dreams Vocals – Val SharpeWritten-By – Vorhaus, McDonald	4:25
6	The Visitations Written-By – Vorhaus, McDonald	11:45
7	The Black Mass: An Electric Storm In Hell Drums – Paul LyttonLyrics By [Beginning] – Georgina DuncanMusic By – White Noise	7:04

Companies, etc.

Phonographic Copyright (p) – Island Records Ltd.
Copyright (c) – Island Records Ltd.
Published By – Island Music Ltd.
Made By – Universal M & L, Germany – 51574278
Designed At – Waldo's Design & Dream Emporium

Credits

Artwork [Original Sleeve Art] – Island Art
Design [Re-issue Package] – Phil Smee
Effects [Special Stereo Effects] – David Vorhaus BSC.DIP.Elec*
Electronics [Electronic Sound Realisation] – Brian Hodgson, Delia Derbyshire
Producer – Keleidophon*
Producer [Production Co-ordinator] – David Vorhaus
Sleeve Notes, Other [1992 Beans Spilt By] – Kemi Kally
Technician [Sound Base Transfer Co-ordinator] – Trevor Wyatt

Notes

All titles: Island Music Ltd
℗ 1969 Island Records Ltd
A Keleidophon Production
[on booklet]

℗ 1969 Island Records Ltd.
© 1969 Island Records Ltd.
[on rear cover]

B.A.S.E. Bedini Audio Special Environment
The 3D SoundBASE sound process frees the musical image from the phase constraints of conventional stereo, opening up the sound dimensionally and imparting a real sense of depth to the mix.

Many songs have never been heard - by humans: some sound waves you don't hear - but they reach you. 'Storm Stereo' techniques combine singers, instrumentalists and complex electronic sound. The emotional intensity is at a maximum.
___________________

"White Noise" appears on front cover & CD, "The White Noise" on spine and rear cover.
Catalog number "3D CID 1001" appears on spine, "3DCID 1001" on CD.
Kaleidophon is spelt "Keleidophon" in booklet and rear cover.
Credits for percussion and vocals appear on rear cover and are specified in the individual track credits on back of booklet.
Vocalist is listed as "Val Shaw" on rear cover, "Val Sharpe" on back of booklet.

Barcode and Other Identifiers

Barcode (Text): 7 31451 09482 8
Barcode (String): 731451094828
Matrix / Runout (Variants 1 & 2): 07314 510 948-2 01 ✳ 51574278
Matrix / Runout (Variants 1 & 2, appears four times): [Universal logo]
Matrix / Runout (Variant 1, CD mould): MADE IN GERMANY BY UNIVERSAL M & L A
Matrix / Runout (Variant 2, CD mould): MADE IN GERMANY BY UNIVERSAL M & L B
Mastering SID Code (Variants 1 & 2): IFPI LV26
Mould SID Code (Variant 1): IFPI 0128
Mould SID Code (Variant 2): IFPI 0146
Rights Society: BIEM/MCPS
Label Code: LC 0407
Other: PY 899

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
ILPS 9099, ILPS-9099	White Noise	An Electric Storm ‎(LP, Album)	Island Records, Island Records	ILPS 9099, ILPS-9099	UK	1969
5313 125, ILPS 9099	White Noise	An Electric Storm ‎(LP, Album, Ltd, RE)	Island Records, Island Records	5313 125, ILPS 9099	Germany	2008
SW-9303	White Noise	An Electric Storm ‎(LP, Album)	Island Records	SW-9303	US	1971
SW-9303, ST-9303	White Noise	An Electric Storm ‎(LP, Album)	Island Records, Island Records	SW-9303, ST-9303	US	1971
ILPS 9099	White Noise	An Electric Storm ‎(LP, Album, RP)	Island Records	ILPS 9099	UK	Unknown

Ffyan

Reading the blurb on the back I was hoping I had discovered a proto-Kraftwerkian album. But the years have not been kind to these tunes, to me (without taking into account its history) it sounds like some early Stereolab demo's, or Monty Python outtakes. The most interesting track is the last one, which comes across as an early industrial jam.