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The John Huss Moderate Combo - Lipchitz download free

Genre: Rock / Pop / World, Country & Folk
Performer: The John Huss Moderate Combo
Title: Lipchitz
Date of release: 1998
MP3 album size: 1213 mb
FLAC APE album size: 1237 mb
WMA album size: 1528 mb
Digital formats: AA AHX XM AAC AUD AU RA
The John Huss Moderate Combo - Lipchitz download free

Tracklist Hide Credits

1 Millennium
2 Dad Sold His Sax
Horns [Uncredited], Arranged By [Uncredited] – John Huss
3 You're So Basic
4 Juan Campoverde
Sitar [Electric Sitar, Uncredited] – John Huss
5 How Can You Say There's No God When The World Is So Bent?
Violin [Uncredited] – Susan Voelz
6 Suburbilly
7 Office Work
8 Theme For Lee
9 Tire Tool
10 Braying Mantis
11 Whaliens
12 Opus / So What
13 Rockin' At A Hyde Park Party
14 Use Your Head
15 Go

Credits

  • Bass – John Greenfield
  • Drums – J. Niimi*
  • Engineer [Chief Engineer] – Pete Weiss
  • Guitar – John Huss
Discussion about The John Huss Moderate Combo - Lipchitz
DART-SKRIMER
JOHN HUSS IS a searchlight revolving and shining his objective light into the forgotten corners of the american dream, our ridiculous pop culture, religion, work, and human evolution ("Whaliens"). His insights are uncanny - mainly centered around levity - something that rock music comes up short on these days. Musically the band is engaging; standing on the standard rock form with a few terse references to jazz and blues. Lyrically, it's a contemporary literate showcase of Huss' comic view of the world. His small group the Moderate Combo consists of J. Niimi on drums and John Greenfield on bass; plus a plentitude of additional musicians, of note: Dave Max Crawford from Poi Dog Pondering who worked out a three-part horn arrangement on the spot for "Dad Sold His Sax" in the studio and Susan Voelz who improvised beautifully on the violin part of "How Can You Say There's No God When the World Is So Bent?" Throughout the record instrumentals are tossed in keeping the listener from pointing stylistic fingers - "Juan Campoverde" (Huss plays an electric sitar), "Theme For Lee," the somewhat dissonant "Braying Mantis" and the too short "Opus" show a potential I'd like to hear more of as the band really gels on these short little interludes. Lipchitz reads like a book of short stories and when you approach it on its own terms is a very rewarding experience.
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