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Hans-Joachim Roedelius - Momenti Felici download free

Genre: Electronic
Performer: Hans-Joachim Roedelius
Title: Momenti Felici
Style: Minimal, Ambient
Date of release: 1987
Country: Europe
MP3 album size: 1882 mb
FLAC APE album size: 1937 mb
WMA album size: 1927 mb
Digital formats: MMF MIDI WMA MP2 DXD AC3 DTS
Hans-Joachim Roedelius - Momenti Felici download free

Tracklist

Im Frühtau 4:35
Leicht Zu Fuß 4:17
Anima Mundi 3:39
Über Den Wolken 7:07
Aufgewacht 3:52
Capriccio 2:31
Guten Morgen 4:41
Am Weiher 3:41
Pas De Deux 6:44

Versions

Category Artist Title (Format) Label Category Country Year
CDVE 4 Hans-Joachim Roedelius Momenti Felici ‎(CD, Album) Venture CDVE 4 Europe 1987
VE 4 Hans-Joachim Roedelius Momenti Felici ‎(LP, Album) Venture, Virgin VE 4 Greece 1987
VE 4 Hans-Joachim Roedelius Momenti Felici ‎(LP, Album) Venture VE 4 UK 1987
7 90652-1 Hans-Joachim Roedelius Momenti Felici ‎(LP, Album) Venture 7 90652-1 US 1987
VE-4 Hans-Joachim Roedelius Momenti Felici ‎(LP, Album) Venture VE-4 Canada 1987
208 532 Hans-Joachim Roedelius Momenti Felici ‎(LP, Album) Venture, Virgin 208 532 Europe 1987
VJD-32054 Hans-Joachim Roedelius Momenti Felici ‎(CD, Album) Venture, Virgin Japan VJD-32054 Japan 1988
7 90652-2 Hans-Joachim Roedelius Momenti Felici ‎(CD, Album) Venture 7 90652-2 US 1988
VJD-32054 Hans-Joachim Roedelius Momenti Felici ‎(CD, Album, Promo) Venture, Virgin Japan VJD-32054 Japan 1988
BB68 Hans-Joachim Roedelius Momenti Felici ‎(CD, Album, Promo, RE, RM) Bureau B BB68 Germany 2011
BB 068, BB068, BB68 Hans-Joachim Roedelius Momenti Felici ‎(CD, Album, RE, RM, Dig) Bureau B, Bureau B, Bureau B BB 068, BB068, BB68 Germany 2011
BB68 Hans-Joachim Roedelius Momenti Felici ‎(LP, Album, RE, RM) Bureau B BB68 Germany 2011


Discussion about Hans-Joachim Roedelius - Momenti Felici
Gadar
from press release:Since the early eighties, Roedelius had more or less dispensed with electronics, focussing increasingly on the grand piano. He also collaborated with various combinations of musicians to create a new kind of music, vastly different to Cluster and Harmonia aesthetics. For Roedelius, it was not only a period of reorientation in musical terms, but also geographically: Austria was now his home. “Tu felix Austria” (Oh, happy Austria), a time-honoured Austrian campaign slogan, became his very own motto in no time at all. The pleasure he derived from playing the piano and meeting muscians on the same wavelength did the rest: an enthusiastic Roedelius allowed new impressions and discoveries to flow virtually unfiltered into his music. “Momenti Felici” is one of the finest examples hereof. With characteristically exuberant inventiveness, Roedelius tickles the ivories lightheartedly, or, entering into more pensive mood, seems to caress the keys. With saxophonist Alexander Czjzek duetting on some of the pieces, Roedelius shuffles a pack of disciplined compositions and carefree improvisations. In this respect, “Momenti Felici” most closely resembles “Jardin au fou”. On closer listening, however, the length in time between the two albums can be discerned. Roedelius honed both his compositional and, more than anything, his playing skills in the lengthy period inbetween.Naturally, “Momenti Felici” saw Roedelius distance himself further still from the electronic scene. The signs had been there on his preceding albums and this release simply removed any last vestige of doubt. Roedelius had, in any case, long since found a new audience, who continue to follow him avidly today. With the passage of time, many of his companions from earlier days have come to realize that a beautiful melody and rich piano chord can be just as pleasing to the ear as pure tones and rhythm machines.
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